Van Schrieck specialised in very precise views of strange and mysterious undergrowth, dotted with disturbing animals and reptiles.  This type of « landscape » or « still life » corresponds to scientific speculation (the microcosm is equivalent to the macrocosm) brought about by research into optics and naturalistic curiosity.

Its death symbolism also relates to the « vanities » used for meditation purposes by Protestants deprived of religious imagery.