The French Paintings

Sunrise on the chariot of Aurora

Jean-Simon BERTHÉLÉMY (1743-1811)

circa 1770

Enlarge picture jpg 63Ko (See the caption hereafter) (modal window)
Jean-Simon Berthélémy (1743-1811) "Lever du Soleil sur le char de l'Aurore", vers 1770 - Huile sur toile, 68 x 64,5 cm - Musée des beaux-arts de Quimper © musée des beaux-arts de Quimper

Oil on canvas

873-1-383

Bequeathed by Jean-Marie de Silguy in 1864

H. 68 cm - L. 64,5 cm

This work is probably a study for the ceiling, now destroyed, of the large oval room in the Hôtel de Langeac in Paris (Thomas Jefferson stayed there when in Paris as Ambassador of the new United States from 1785).  This subject originates from the ceiling by Charles de La Fosse in the Salon d’Apollon at Versailles (1681). Berthélémy simplifies it by reducing the number of characters.   The picture displays all the « baroque » inspiration of the painter’s early years. 

 

The French Paintings

Sunrise on the chariot of Aurora

Jean-Simon BERTHÉLÉMY (1743-1811)

circa 1770

Enlarge picture jpg 63Ko (See the caption hereafter) (modal window)
Jean-Simon Berthélémy (1743-1811) "Lever du Soleil sur le char de l'Aurore", vers 1770 - Huile sur toile, 68 x 64,5 cm - Musée des beaux-arts de Quimper © musée des beaux-arts de Quimper

Oil on canvas

873-1-383

Bequeathed by Jean-Marie de Silguy in 1864

H. 68 cm - L. 64,5 cm

This work is probably a study for the ceiling, now destroyed, of the large oval room in the Hôtel de Langeac in Paris (Thomas Jefferson stayed there when in Paris as Ambassador of the new United States from 1785).  This subject originates from the ceiling by Charles de La Fosse in the Salon d’Apollon at Versailles (1681). Berthélémy simplifies it by reducing the number of characters.   The picture displays all the « baroque » inspiration of the painter’s early years. 

 

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